Month: December 2016

2016: A Retrospective

If it tells you anything about 2016, here are the two highlights:

  1. Receiving the galleys from Asimov’s for the story I wrote and sold this year, “Night Fever.” Yes, that’s right: THE story I wrote. One. Though it’s definitely one of my best.
  2. Being licked by a strange dog at Necronomicon.

That’s pretty much it. I also ran about 800 miles and participated in twelve organized races. Everything else was pretty much a shitshow.

Will’s Christmas Buying Guide 2016: Television!

I’m not sure you can exactly “buy” my picks for great television this year, but you can subscribe to their services or whatever.

I find I’m enjoying TV much more than movies these days. Who’s with me?

Stranger Things, Netflix

stThe big surprise was Stranger Things, though it shouldn’t have been. Kids in the 80s discovering terrible secrets in their little town after one of their own goes missing? Filmed with a Spielberg/King sensibility and 80s visual style? Sign me up!

It’s not a perfect show but a very good one, and I find these days I’m more interested in what stories can help me experience than what ideas they introduce. Stranger Things doesn’t deliver earth-shattering, game-changing revelations or advancements in the genre, but it expertly places you back in a specific time and place and — most importantly — feeling of being young in a world of dangerous possibility.

Like Mad Men, it’s a time machine that consistently placed me in a fugue state of imagination, and that’s not something most shows even bother to try.

Westworld, HBO

Big flagship cable dramas these days have to be ambitious and sprawling and full of mystery, and it’s this latter part that most fuck up. A “mystery” isn’t simply the audience asking, “What the fuck is that about?” or, worse, “What the fuck is going on?” or, worst, “Who the fuck are they going to kill off next?”; it’s a matter of meaning.westworld-poster

What do these answers mean?

Smart-ish writers raise questions. Dumb Hollywood execs and writers’ rooms contrive answers. Smarter writers make the answers into better questions.

Westworld does an extraordinary job of cultivating an atmosphere of mystery while also actually, you know, solving some. A question raised in one episode usually gets answered two episodes later, and that’s fine because each answer implies a bigger and more interesting question.

I find I’m less interested in the corporate intrigue and more interested in the rising consciousness of the “hosts,” but it never seems to overwhelm the story.

The risk for the show’s future is overcomplicating the mystery, especially if it experiments with time frames and which people are “real” or not — mystery for mystery’s sake. They’ve done an excellent job so far with imbuing the twists with meaning, and I hope that stays the norm.

The show is also beautifully shot and written, and almost every performer is extraordinary — Anthony Hopkins, Jeffrey Wright, Evan Rachel Wood, James Marsden, Thandie Newton, Ed Harris, Jimmi Simpson. Jesus. They’re all good.

Aquarius, NBC

aqYou’d think Aquarius would be right up my alley, and you’d be right. We’ve got the 60s and Charles Manson and David Duchovny and crime, and the show scratches all those itches. I’m surprised by how much more I enjoy the non-Manson crimes in the show, but they’re excellent snapshots of the era.

A great crime story often addresses what about its time and place makes a certain action a crime. Aquarius does that well.

I find some of the liberties taken with the Manson story a little jarring (especially the casting of an actor who is WAY more polished than the real Manson), and I hate being the person with his arms folded who says, “That’s not where the bodies were found on Cielo Drive.” But I am.

Still, I enjoy the show immensely and the performances are excellent.

Will’s Christmas Buying Guide 2016: A Late Entry in Books!

Burnt Offerings, by Robert Marasco

About an hour after writing yesterday’s post about the best books I’ve read this year, I finished Robert Marasco’s Burnt Offerings via Audible in the car. It was an excellent book, well worth your time if you enjoy the slow simmer of human weakness in a crucible of supernatural threat.

This great cover is from the recent Valancourt re-released.

This great cover is from the recent Valancourt re-released.

A family in the 1970s (the glorious 1970s!) agrees to take care of a vast beautiful house in the country on Long Island (one of the ways you know it’s the 70s), and there’s a small catch: they have to take care of a reclusive elderly woman who never emerges from her bedroom. Of course, there are Reasons and of course there are Mysteries and in the end, the book doesn’t shrink from the consequences.

[The 70s are perfect for horror. I know because I was there: cynicism, mistrust, a sense of decay, graffiti on the subways and scowling people at the Rockefeller Center Christmas tree. Everybody seemed to be asking, “Is God dead or did He just leave us for another woman?”]

Will’s Christmas Buying Guide 2016: Books!

Each year, I do a little retrospective of what I’ve enjoyed that year (even if it was produced earlier), and this year I’m doing it a little early in case you want to buy gifts for that special person in your life who is exactly like me.

Let’s start with the books!

The Dark Tower series, by Stephen King

gsThis year, I listened to the entire Dark Tower series on Audible and it was wonderfully strange and moving — a beautiful combination of medieval, post-apocalyptic, and Western sensibility with complex heroism and difficult consequences. I loved it as a story of a man learning how to reconcile his life’s obsession with the safety of the people with him on the journey — which, of course I did, given my personal history.

All seven books are odd and I’ll admit some parts are better than others. I especially enjoyed Wizard and Glass and Wolves of the Calla, but there are beautiful moments spread through every one.

As a writer, I’m fascinated by the obviously intuitive nature of these stories: it’s hard to believe King planned them very deeply, and they seem to be the result of him listening more than writing. That means that certain things get more attention than they should and others get less, and sometimes the endings seem a little ill-fitting. It doesn’t really bother me, though; it’s a roughly-hewn story like a canoe you’d chop with a hatchet from a fallen tree — somehow richly connected to reality. 

Various titles, by John D. MacDonald

I promise I’m not obsessed by Stephen King, BUT ol’ SK has mentioned more than once how much he admires John D. MacDonald’s work. If you wonder where King learned his trick of capturing the delicious gossipy detail that makes his characters seem real, it’s all in MacDonald’s stories.bc

My favorite so far is Murder in the Wind about people with deadly secrets who hole up in an abandoned house as a hurricane passes over. I also like the Travis McGee novels about the beach bum private fixer who does weird investigatory favors for people from time to time, but fair warning: they’ve got a mid-century sensibility.

I Am Providence, by Nick Mamatas

pYou know that old quotation “If you can’t say something good about someone, come sit right here by me?” This book is like sitting at the far corner of a Lovecraftian convention ballroom with someone who has the same entirely appropriate affection/disdain for it that you do. Yes, it’s a murder mystery that takes place at such a convention, but it’s also a purified sample of everything good (10%) and awful (90%) about the “community.”

It’s like Catch-22 but for Lovecraft fandom instead of the Army.

The Fisherman, by John Langanf

One of the things I found disappointing about Boy Scouts was that I never got a cool sublime experience of awe and horror in the woods. John takes care of that here with a man who goes into the wild for answers he doesn’t expect. It’s a beautifully lyrical book and it will make you wonder if you’re missing something by not going fishing. Then you’ll come back to your senses.

The Glittering World, by Robert Levy

gwThis book is a lot like Robert himself: cool, sophisticated, perceptive, funny, and just credulous enough to see the fey lurking on the edge of your summer retreat. I love the slow creeping intrusion of the strange here, and Robert never forgets how people are still people (troubled, petty, jealous, feebly and selfishly heroic) even in the presence of the wondrous.

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