If you like old science fiction television shows, alcoholic writers, and creepy tree stumps in the woods, this story is relevant to your interests.
Sometimes people ask me about my first collection, Cthulhu Fhtagn, Baby! — where they can get it, why it’s out of print, why I never mention it — and I usually respond by strangling them behind a dumpster so no one ever speaks of it again.
There’s an old writer’s curse: “May you sell all your early stories and compile them into a collection,” and the Monkey’s Paw vindictively granted my earliest wish to be published. I’m not sure why the stories in CFB sold to some surprising places like Weird Tales, except perhaps for polite encouragement.
That collection is awful, and I hereby apologize for it.
The only reason to own CFB is for Deena Warner’s fabulous cover art, which can be easily trimmed from the front of the book and framed.
That cover makes my book a jewel-encrusted Yugo driven by a Serbian mobster in a track suit. Her husband Matt Warner’s introduction was also very kind, and I’m eternally grateful he hacked his way through the book and found nice things to say.
What went wrong?
The stories in CFB, including the title one about a review for a Cthulhu-themed Broadway show, are driven almost solely by gimmicks, the things that early writers think are the engines of story. On my honeymoon with my first wife, I attended a terrible theater show on the cruise and imagined the only way it could be worse was in service to cosmic evil, and bam! it became a story. Once while standing near the window of my 12th floor office, I saw a milk truck drive by on the bridge far below and wondered what would happen if you heard something banging around inside, and pow! another story.
Every piece in CFB is a joke stretched too thin, and the whole thing is a reminder of my greatest weakness, going for the easy laugh instead of developing an experience.
I won’t go quite so far as to say I wish it had never been published; it certainly fits into a very specific time of my career. I needed to plant a flag in the sand that yes, I was working earnestly on a career and if readers would just wait a little longer, I’d have something much better for them.
If you are one of the courageous and/or supportive souls who bought it early, I thank you for your confidence in me. If you’re a weirdo buying it off eBay today, I hope you’ll read it as what it is, a time capsule of my early career.
Let us never speak of it again.