Category: Culture (Page 1 of 2)

A Summer Reading List

June 29, 2022 / Will Ludwigsen

I’m not sure it’s accurate to say that summer is my favorite season, but it’s certainly the one when my body and mind expect to spend their days writing, walking in the woods, napping, and reading during afternoon thunderstorms.

Thanks to some poor financial decisions on my part (chief among them not being born into inherited wealth), I won’t get to spend my summer that way for at least another twenty years.

So in the meantime, I have a few go-to books for my summer reading that somehow remind me of a lazier time of year. Some of them take place during the summer, and others I simply read for the first time during one many years ago.

In case you also want to go on a mental summer vacation, here they are.

“The Body,” by Stephen King (from Different Seasons)

This is one of my favorite novellas of all time, and it takes place over a Labor Day weekend. I’m not sure if I first read it over a summer, but it definitely resembled most of the ones I lived: going on reckless adventures with friends as a way to court danger and learn who we were. I did that by breaking into abandoned schools and climbing onto roofs and skulking around in the middle of the night, but if there had been a body to go see, rest assured we’d have gone looking for it.

Earth Abides, by George R. Stewart

If there’s such a thing as a cozy apocalypse novel, this is one. When the human race is decimated by a plague, grad student Isherwood Williams ends up being one of the smartest of a small group of survivors who slowly rebuild a new and better society while the remains of the old one decay around them. Like the best science fiction, it’s a thought experiment in possibility.

You know you’ve got a good post apocalyptic book when you find yourself thinking, “Man, I’d love to loot a library just like that.”

Childhood’s End, by Arthur C. Clarke

Clarke will never be confused with a great prose stylist, but he manages to convey awe and strangeness with a pleasant scientific precision. I first read this novel of transcendent first contact — the kind where aliens come and tell us of our greater galactic destiny — in a summer lit course in Science Fiction at the University of Florida.

After years of being a fan of science fiction, I’d set it aside to be a good English major focused on the classics. When I read this book, though, I literally cried to think of how much better it was at exciting my imagination than anything I’d been assigned in my major.

The Hobbit, by J.R.R. Tolkien

During the summer of 1987 after my parents’ marriage had ended with far less violence than any of us expected, my mother and I took a vacation with a friend and her kids to Georgia and North Carolina. We did the usual touristy things like panning for (likely planted) gem stones at a “mine,” but what I remember most was the house where we stayed.

It was built on the side of a mountain beside a shallow creek. From the front, you could see miles of rolling green hills. From the large windows and porch on the back, you could gaze into the darkly inviting woods.

My friend Norman had suggested that I read The Hobbit, and that’s exactly what I did. To me, that forest in North Carolina is what Mirkwood looks like.

This Sweet Sickness/The Talented Mr. Ripley, by Patricia Highsmith

I find it hard to choose between these books for a summer read. The Talented Mr. Ripley has the virtue of taking place mainly during the summer, but the protagonist of This Sweet Sickness lives a strange dream-like existence that sort of feels like one.

I read these for the first time in 2005 when I started having an inkling that something wasn’t quite right with the life I was living. These are both books about men with deeply delusional and neurotic misunderstandings of reality, and they scared me at the time more than most horror.

I’m all better now.

P.J. O’Rourke

February 15, 2022 / Will Ludwigsen

“She’s wrong about absolutely everything, but she’s wrong within normal parameters.”

– P.J. O’Rourke on reluctantly backing Hillary Clinton over Donald Trump

During my first semester of college, I took a course called History of Journalism with a wonderful professor named William McKeen. It was an inspiring and entertaining tour through Ida Tarbell, Lincoln Steffens, I.F. Stone, Seymour Hersh, Studs Terkel, Woodward and Bernstein, Hunter S. Thompson, and many more.

The class was so good that I almost became a journalist until Professor McKeen pointed out that the future would be all USA Today infotainment, a prescient notion in 1991.

Like most recently post-adolescent young men, Hunter S. Thompson’s Gonzo aghast-witness-to-society’s-collapse schtick appealed to me strongly. I could imagine writing riotous features about myself witnessing the inanity of our culture: “It’s Will…at a gun show!” “It’s Will…at the Cabbage Patch Doll headquarters!” “It’s Will…at the ruins of the Manson family’s ranch!”

The trouble was that I wasn’t cool enough to be Hunter S. Thompson. I didn’t drink or do drugs, I was nervous approaching people, and I couldn’t often summon the energy to be manic like he was.

What I needed was a nerdier, more introspective yet still hilarious journalistic idol, so Professor McKeen suggested I might dig P.J. O’Rourke.

I started with his book Holidays in Hell (excellent) and went on to Republican Party Reptile (meh) and then Parliament of Whores (probably his best), and I’ve followed him on and off ever since. In recent years, he was sometimes as stylistically conservative as he was philosophically, and some of his humor could feel a bit tepid, like an affable but exasperated dad.

But at his best, he wielded his satiric scalpel with precision and eloquence. He’s one of the main reasons I was a conservative in college: he made it feel dignified and reasonable to believe that applying government to our fleeting problems was like swatting a fly with a sheet of plywood.

(These days, I’m inclined to think that as clumsy as that sheet of plywood can be, some of our societal flies are big enough to need it.)

P.J. could cover a Communist revolution in some banana republic mostly from the bar, downing some scotch and smoking cigars and asking real people what they thought about the absurd situation. Maybe that’s as posed as Hunter S. Thompson’s Gonzo journalism, but it’s certainly more my temperament.

I’ve disagreed with much of what he’s written, especially later on, but he was always wrong within normal parameters…and usually entertaining and never hostile about it. To him, the culture war was less an all-out battle and more a slightly embarrassing brawl in a bar between the loudest blowhards.

I eventually drifted more toward fiction (partly because it seemed to have a clearer path of entry and partly because I can’t resist exaggerating and distilling the truth), but O’Rourke’s wry observational style still influences my work.

I’m grateful for that influence and I’ll miss him in the world.

Great Uncle Will, What Was the Pandemic Like?

May 14, 2021 / Will Ludwigsen

“Well, Merricat, we handled it in a very American way. We started off with a blithe dismissal of the threat followed by a sudden panic, which triggered hoarding and conspiracy theories that many tried to challenge with argument and virtue signaling. Once we got our footing, though, we marketed and profiteered our way to the end until even the CDC got bored with it.”

“Was it really a big deal?”

“It turns out, honey, that 584,000 deaths are a big deal to some kinds of people but not to others. That was a weird lesson we learned when wearing a lightweight cloth was worth storming state capitols to prevent.”

“But we overreacted, right?”

“To all crises, there’s really only the choice to underreact or overreact because nobody knows what perfectly reacting looks like until it’s all over. So in America, we split the difference by overreacting in some ways and grossly underreacting in others.”

“Was the Old Internet involved?”

“Boy, was it! That’s where sneering malcontents competing for meanness points used to live. They liked to overreact to overreactions because they magically knew exactly what we should have done all along from flunking out of biology in community college. They were the kind of people who’d give us shit for swatting a wasp with a 2×4 when that’s all we had.”

“Is criticism bad?”

“Good faith criticism sure isn’t, but even if we’d discovered that masks were useless — which we didn’t — what was the harm of trying them? Oh, that’s right: our deeply entrenched freedom to be profoundly stupid. We were a country back then who confused the LIBERTY to hit ourselves in the face with a brick with the NECESSITY of it.”

“Is the pandemic why we’re living in this abandoned mental asylum?”

“Oh, of course not. The real disaster came a few years later with Pronoun War I and II, followed by the Great Gas Surplus when panicked simpletons blew up all the Shell stations because fuel got suspiciously cheap. Then we had no way to ship food across the country and many had to literally air fry their guns to eat them instead. It was a crazy time.”

“I wish I’d lived to see all that.”

“Well, it certainly showed us who we were. Now finish your sriracha armadillo ear soup and cover your facial vacuole with the cloth mask like I showed you. I think a radioactive tornado of non-biodegradable drinking straws is coming.”

My Computer History: End Program

April 28, 2021 / Will Ludwigsen

I’ve been writing recently about my Gen X computer experiences from the days when they required more patience and commitment than the convenient appliances of today.

I wrote about how the TI-99/4A was my gateway to computing, and how I learned persistence from the TRS-80 Model III, and how the Commodore 64 inspired my ingenuity, and how the Apple II+ made me an amateur scientist, and how the Apple //c kicked off my writing. I wrote about the weird outliers of the Commodore SX-64 and Amiga 500 that may have been too clever for their own good. And I wrote about how the PS/2 and Macintosh labs in college set up my vacillating loyalties that persist even today.

I’m lucky that I’ve seen both worlds, enjoying the hobbyist tinkering of BASIC and also the vast interconnectivity of the devices we have today. I feel a little like someone who witnessed the Wright Brothers taking flight and then the Moon landing six decades later, with each magical in its time and context.

It was a lot easier to be accidentally dumb back then, with only nearby resources to learn from. If you lived somewhere with a lousy library or culture of idiocy, you could have huge gaps in your knowledge that were hard to even know about, much less fix. I learned to shave from a high school friend who described it over the phone, but it took my stepfather to tell me to use warm water instead of cold. Now I could learn that on YouTube.

You felt weirder then, too, with only the sample size of your town or neighborhood to go by. There weren’t many alternative models for how to be, and most of them came down to stark divisions instead of gradations: male or female, white or not, American or not, rich or poor, able or “handicapped,” straight or queer, dreamer or worker, city or country, north or south, bookish or mechanical. When a deaf boy joined my second-grade class, I thought his hearing aid was a Walkman and he was a bad ass rebel who refused to take it off.

It’s harder to be that dumb today, but some people are making their best go of it.

Now with access to all the knowledge on the planet, you have to work hard not to know things – to choose only a few sources of information that reinforce your perspective and filter out others. But humans are humans and our brains take a lot of energy, so it’s natural that we fall into the shortcuts of prejudice if we don’t fight against it.

Those old computers taught me that ideas are malleable, refined through a process of active experimentation until they “work.” That hacking mentality has been the cornerstone of my writing practice as well as my perception of the world as a giant experiment ever in refinement.

What I learned from years of SYNTAX ERRORS is that life can be debugged and improved, though perhaps never perfected. There’s only “works” and “works better” for more people.

It’s useful to know that even if “answers” are far easier to search for these days, we still have to do the experimenting ourselves.

Who’s ready for some programming?

My Computer History: Oh, Yeah, the Consoles

April 27, 2021 / Will Ludwigsen

[I’ve been on a nostalgia trip lately thinking about the computers that influenced me growing up. They were a perfect metaphor for our latch-key generation: “Here’s a device with limited instructions. Good luck!” I know they changed the way I think, and this week, I’ll be blogging about the early computers that influenced me.]

Astute readers may have noticed that I haven’t yet mentioned any of the video game consoles that influenced me in my Gen X childhood, and there’s a very good reason for that.

If you were to engineer a torture device for people with untreated anxiety disorder, you’d invent “games” that hint at the possibility of winning by skill but endlessly rob it from you with no save states, no endings, terrible controls, and buggy programming.

I mean, this is what we were working with:

And this:

Did I have fun with my Atari 2600 as a kid? I did. But starting there, I probably lost years of mileage on my heart and lungs yelling at shitty console games with only a few shining stars to keep my hope alive that the next one would be better.

I can list the few video games that, through a combination of design and story, may actually have contributed something to my life. Note how many of them were on consoles.

Eamon (1980, Apple II), which was a fantasy text-adventure you could customize.
Raiders of the Lost Ark (1982, Atari 2600), which had a story and an ending.
Taipan (1982, Apple II), which was great for trading commodities and becoming a drug dealer before Grand Theft Auto made it cool.
Lords of Conquest (1982, Commodore 64), which was a Risk-like game that I enjoyed playing with Norman.
The Legend of Zelda (1986, NES), which had a save game and a storyline plus lots of secrets to discover.
Wasteland (1988, Apple II/Commodore 64), which had an engrossing storyline and witty writing.
Wing Commander (1990, PC), which had a great storyline and fun flight sim physics.
X-Wing (1993)/TIE Fighter (1994, PC), both of which were deeply story-driven with great flight-sim features.
Tomb Raider (1996, PlayStation), which barely makes it onto this list because the archaeological visuals only SLIGHTLY outweigh the frustrating gameplay.
Jedi Knight/Mysteries of the Sith (1997, PC), again with good stories.
Outlaws (1997, PC), again with a great story and wit.
Metal Gear Solid (1998, PlayStation), frustrating as fuck but a great story.
Half-Life (1998, PC)/Half-Life 2 (2004, PC), both featuring amazing game play and storytelling as well as multiplayer fun.
Neverwinter Nights (2002, PC), with a great storyline and game mechanics (though the graphics were odd).
Knights of the Old Republic (2003, PC), with one of the best storylines in a game ever.
Jedi Outcast (2002, PC)/Jedi Academy (2003, PC), also with great storytelling, level design, and lightsaber physics.
Lord of the Rings Online (2007, PC), which may be one of my favorites of all time because of the gorgeous accuracy and absorption of the world building, as well as the enjoyment of playing with friends.
Portal (2007, PC) /Portal 2 (2011, PC), which are both arch and witty games with mind-bending physics puzzles.
Red Dead Redemption (2010, XBOX 360), which had an engaging story and a lot of fun territory to explore.
Borderlands 2 (2012, PC), which tells an amazing story with some of the best characters I’ve seen in a game, including THE best villain.
Pillars of Eternity (2015, PC), a beautiful distillation of everything that SHOULD have been good about Baldur’s Gate and Icewind Dale.

Also, a few runners-up:

Far Cry 3 and Far Cry 5, which are both gorgeous games with interesting but very problematic stories. I feel pretty icky through much of Far Cry 3, and the ending of Far Cry 5 pisses me off.
River Raid and Frogger on the Atari 2600 are sentimental favorites because my mother loved them so much, sitting down after dinner on the floor with a cigarette and playing them for hours.
Various generations of shooters (Medal of Honor, Call of Duty, Rainbow Six) were fun to play with friends until the Adderall-twitchy ten-year-olds took over.

I freely confess that my exposure to video games has been spotty and my needs are unusual: I like tinkering and exploring and fighting if it’s relatively easy. I’m not looking for a tooth-and-nail struggle in my leisure hours because that’s what real life is for.

If you’re remembering the consoles of the 80s with an abiding fondness, here’s my challenge: pick up one of the new remakes of those consoles or an emulator, and time how long you enjoy playing it.

On the whole, I’m a little like a high-functioning alcoholic. I know that I’ve lost countless hours to video games that I didn’t really enjoy while I was avoiding other things. But the good ones…they were pretty good.

My Computer History: IBM PS/2 vs. Macintosh IIsi

April 26, 2021 / Will Ludwigsen

In this entry, I’m off to college with two computers that dueled for my heart.

IBM PS/2 Model 70

Released: April 1987 – April 1993

Specs: 6MB RAM, 386DX 16 MHz CPU

Apple Macintosh IIsi

Released: October 1990 – March 1993

Specs: 17MB RAM, 68030 20 MHz CPU

In Fall of 1991, I started college at the University of Florida.

That summer, I’d sold almost all of my vintage computers (the Commodore 64, the TI-99/4A, the VIC-20, and the Apple II+) for spending money.

(Funny story, that: I called in sick to my boss at the inventory service so I could go to a Don Henley concert, and he growled that I didn’t have to show up. When I called him back a week or so later, he told me he’d fired me. That led to one of the best summers of my life, and those computers were a cheap price to pay.)

So when I arrived at UF, I was computerless (though I brought a giant box of Apple disks in case, I don’t know, I bumped into somebody who still had one).

Me in the dorm, with the giant beige box of disks on the second shelf.

That meant I had to do all of my writing at the CSE (Computer Science Engineering) building at UF, where there was a huge ground floor computer lab with rows and rows of computers.

About 40% were VAX minicomputer dumb terminals where you could write programs for class and browse this weird global network through something called Gopher to argue on rec.arts.nerdy about whether the Enterprise could defeat a Star Destroyer.
About 55% were IBM PS/2 Model 70s, almost always in full use because students seemed to know how to use them better.
About 5% were Macintosh II SIs, which sat off to the side or in weird secret labs around campus which was perfect for me to avoid crowds.

There were a few basic phases of my writing at UF:

Letters by hand, sent to woo a young woman.
Papers written on the PS/2 machines in WordPerfect 5.1 in Courier New font (because that’s all that would print), until I figured out that the Macintoshes were almost always available.
Stories written on the Macintosh II SI, deeply emo and also meant to woo the same young woman.
Papers written on the Macintosh II SI, all in Avant Garde font.
Stories (deeply influenced by Lovecraft and Bradbury) written by hand in libraries while waiting for the young woman to finish studying her endless mathematics and statistics.
Stories written on the PS/2 or an inherited 486 SX after “discovering” in the Writers Market guide that you could send them to magazines you’d never heard of in case, you know, they wanted them.

I never took a single creative writing class at UF, mostly because I was terrified to be told that I sucked. I managed to write two works of meta-fiction in lieu of research papers for a couple of classes, though that was hardly playing the varsity team; those professors were probably relieved not to read turgid declarative interpretations of 17^th century drama.

Though even my turgid declarative interpretative papers tried to be entertaining, at least:

In one of my classes, a student seated in front of me noticed I was line-editing one of my stories and she asked if she could read it. That started a semester of me handing us handing pages back and forth, and the result became a story called “The Trespasser” which appeared eight years later in Cemetery Dance.

(Cool story: I was a Republican back then, largely as an act of deeply repressed rebellion, and I was wearing a Jeb! t-shirt on campus one day when I bumped into my editing friend. Her face seemed to sharpen into a cone of utter revulsion, and she never spoke to me again. Maybe I deserved it.)

In 1994 before I graduated, I got “serious” about writing, which unfortunately meant reading a lot of Writers Digest books, studying psychology for characterization, and outlining a Grand Unified Theory of how I’d write my fiction. Once I had all of that in hand, I’d be ready to start.

If I could go back and give myself some writing advice, I’d tell myself these things:

More Irving and Jackson and King than Lovecraft, trust me. Make the situations and people abominable, not the prose.
Photocopy “The Body” out of Different Seasons and type it in word-for-word. Notice how scenes and paragraphs begin and end, how characters express their reactions and feelings, and how much description is required to set up a place.
There’s no grand theory of writing for you or anyone else. You keep typing the next entertaining thing (either a cool experience or some conflict or both) until it sounds good.
The model should be journalism, not literature: getting a lot of words down fast and not focusing so much on all the things critics impose afterward like symbolism.
It’s ugly, but WordPerfect 5.1 on an IBM computer keeps up with your typing better than the Macintosh, and the less that stands between you and the words, the better.

The Macintosh might have won, but there was no way I could afford one of my own, and the writing was pretty much on the wall for IBMs being in every office.

The advent of these IBM compatibles was really more or less the end of computing as a hobby for me. After this, it was some programming at work in Visual Basic or .NET, some assembly and repair of computers, and a whole bunch of angry video gaming.

They become appliances after that, which I rather regret.

My Computer History: Commodore SX-64 and Amiga 500

April 23, 2021 / Will Ludwigsen

In this entry, I’ll cover two computers that had some influence on me, though it was brief.

Commodore SX-64

Released: 1984 –1986

Specs: 64KB RAM, 6510 1.02 MHz CPU

My friend Norman introduced me to a lot of geeky and fannish things, but he was especially an early adopter of computers. It was like he’d been waiting his whole life to enjoy something so logical and structured and safe. He owned a Commodore SX-64.

The SX-64 was the “luggable” version of the Commodore 64, sporting a 23-pound weight to challenge your back and a five-inch screen to challenge your eyesight. That must have been fun for spreadsheet users; it was bad enough for gamers like Norman and me.

In the afternoons following school, I’d walk over to his house and we’d play either Autoduel or Lords of Conquest on the machine, setting it on its back with the screen facing upward so we could squint at it from above. Norman’s mother would offer us off-brand soda and oranges, and those visits were a great respite in the early days after my parents’ divorce.

Norman and his family were Japanese-American, and his folks had been interned in the camps out west during World War II. His mother Mary wrote a speech about her experiences for Toastmasters that she shared with me when she found out I wanted to be a writer, and it was very well-written.

I sometimes got the sense that they thought I was more likely to share that story than Norman was, though I never have because I feel only like it was loaned to me. Still, I was honored she thought of me in that way.

It was important to me at that time, too, to see other kinds of people leading other kinds of lives because my notion of “normal” was so skewed.

Not long before I went off to college, Norman sold the SX-64 to me because, small screen or not, it had a disk drive and my regular Commodore didn’t. I somehow had it in my head that I could write college papers on the thing, but I learned quickly it was too obsolete even with an external monitor.

I did play one of my favorite video games of all time on it, though: Wasteland. For a (relatively) primitive computer game, it had a great story with interesting characters. One time I was playing it during a difficult high school tumult of some kind, and when I rescued a character from the brink of death, he said, “Let’s go kick some ass!” I was taken aback by that, but it filled me with a strange sense of hope.

I guess it just hit me the right way at the right time.

Commodore Amiga 500

Released: 1987 –1991

Specs: 512KB RAM, 68000 7.16 MHz CPU

The reason Norman could sell me his SX-64 was that he upgraded to an Amiga 500. I used it only a few times, but it was an astounding machine with the first real GUI I’d ever seen, as well as the first 3.5” disk drive and mouse.

I remember looking at the mouse and thinking how counter-intuitive it was compared to a joystick, and I thought it would never catch on. Sixteen-year-old Will thought we’d be working in Photoshop with a joystick in 2021. Also, he thought he’d be the President of the United States, so he wasn’t a keen predictor of the future.

It was on Norman’s Amiga that I first played Lemmings (meh) and Marble Madness, which I loved.

What was significant to me about the Amiga was that it was a computer that I could tell was already doomed. IBM clones were invading schools and companies, and the Amiga seemed like the last real hobbyist machine that was just odd enough to be enjoyed by a limited group of people. It would live a little longer as the source of many animated TV titles you remember from the late 80s and early 90s, helped by a device called the Video Toaster.

I guess the Amiga was my first introduction to the principle that being amazing isn’t always enough.

My Computer History: Apple //c

April 22, 2021 / Will Ludwigsen

Apple //c

Released: April 1984 – August 1988

Specs: 128KB RAM, 65C02 CPU

In my junior year of high school, I started to write more papers for English and other classes, and neither my handwriting nor a typewriter would cut it anymore. I had a Brother daisy wheel printer for my Apple II+, but it sounded like small arms fire crackling across Beirut whenever it cranked something out on its tractor feed paper.

Plus AppleWorks, one of the early word processing programs, didn’t work on my Apple II+.

Fortunately for me, our high school’s library had an Apple //c lurking in one corner by the exit doors, and the librarian (Ms. Newnan) was kind enough to let me skip my lunches and hang out there instead of the noisy cafeteria where I’d been assigned to be.

I spent that time doing homework and papers at first as part of my renewed interest in doing well enough in school to get the hell out of that town, but then it slowly dawned on me.

I could write stories on this thing.

For most of my childhood, I’d told people that I wanted to be a movie director when I grew up, thinking that was the main way that I could make stories come alive for an audience. From what I’d read about George Lucas and Steven Spielberg, I assumed that they just showed up with a story they wanted to tell and then ordered a crew and actors around to do it.

When I wrote and performed stories for my class as a kid, I usually wrote them as scripts that only I could decipher and perform, sometimes improvising on the fly based on their reactions.

Once I got to high school, I’d read enough to recognize that real stories had paragraphs and descriptions and dialogue. My interests became more literary, and my answer to the slightly-changed question (“What do you plan to do for a career?”) metamorphosed into becoming an easily-employable college professor who wrote fiction in his copious free time.

(Hey, we didn’t have the Internet then to disabuse us of our delusions. What little I saw of my guidance counselor, she could only predict that I’d end up in college or prison.)

Access to the library’s Apple //c meant that I could type my work and correct it, and that led to my first attempts at stories with beginnings, middles, and ends. Most of the early ones were fairy tale-like, but then they grew more and more solid as time went on.

(It’s interesting to me that my own storytelling evolution followed that of humans: ad hoc performances to drama to simple myths to more complex stories.)

Around this time, the show Twin Peaks had already aired its first season and I was fascinated by the idea of an FBI agent like Dale Cooper for whom emotion was an important part of his detective work. As an proto-emo kid myself, fighting evil while looking dramatically cool to girls appealed to me deeply.

So when we were assigned to write our own Canterbury Tale after reading them for English class, mine was “The F.B.I. Agent’s Tale,” not about Dale Cooper but about an agent a little more like me at the time: creative and heartsick, turning his back on the ordinary world to fight evil alone.

I packed a lot into that story, including some indecision about my future, my split interests between the artistic and the practical, and my desire to do good in the world without having to be around people too much. It had a sad ending, of course, as I perceived to be most likely for me given my high school romances so far.

It was not even close to a good story.

But it was a whole story, and I’d written it with passion from my own (bizarrely perceived) experience. I sat down like a professional, typed in the words, rewrote them as necessary to sound better and more convincing, and birthed a blobby and emotional Thing to share with the world.

It took a lot more writing for those lessons to stick, especially the one about steering toward emotion and mutated personal experience instead of jokes and gags.

I’m not sure any of that could have happened as easily if I’d written by hand or on a typewriter. I needed the friendly (to me, after all my programming) feel of a computer keyboard to invite me in, and what I’d learned about development taught me how to shape things over and over until they felt right.

I spent years afterward trying to learn the “right” way to write a story with scene and structure, character and motivation, plot points and arcs…and really, I more or less had the basic technique down in 1991. All that was left was increasing my practice and improving my taste so I knew when not to stop fixing.

The first real story of my career started because one librarian perceived that I needed a quiet place and an Apple //c more than to be in the cafeteria. I’m grateful she did.

My Computer History: Apple II+

April 21, 2021 / Will Ludwigsen

Apple ][+

Released: June 1979 – December 1982

Specs: 64KB RAM, 6502 CPU

Wait, are we regressing in time? No, just in technology.

Nice as the Commodore 64 was, all I had for it was the tape drive and for some odd reason, Commodore 64 software and hardware wasn’t all that common near my small town. It was much easier to get software for the computers my school used, and those were Apple IIs.

Luckily for me, a college student at UF ran out of pot money midway through the semester and my sister bought his Apple II+ for me in 1988. The good news about Apple computers at the time, though, was that you could expand them, and mine ended up with 64KB of RAM, an 80 column card, dual disk drives, a printer, and a speech synthesizer.

Plus I had access through friends to a huge library of software and games.

My favorites for the Apple II were:

Taipan!, a game of commodities trading and piracy.
Eamon, an early fantasy RPG text adventure series that had a lot of expansions plus the ability to make your own.
Conan, a platform adventure game.
Beyond Castle Wolfenstein, a “stealth” exploration game.
Seven Cities of Gold, a game of exploration in the New World.
Hitchhikers Guide to the Galaxy, no introduction necessary.

There were a few others, but when I played games on the Apple, it was mostly these.

Much like the Millennium Falcon, however, my Apple II had some issues that required constant calibration and tinkering, especially with the disk drives…so a good part of my time using it involved having the case open or off altogether.

By God, in my day, we EARNED our video games!

The Planiverse, 2D Worlds, and 3D Lives

Probably the most important influence of the Apple II came from programming on it. In 1989, my friend William Simmons introduced me to a book called The Planiverse by A.K. Dewdney that curved the trajectory of my life.

The Planiverse tells the fictional story of Dewdney’s computer science class accidentally stumbling upon a two-dimensional alien world while programming a simulation, and it combines theorizing about 2D physics, chemistry, engineering, and biology with the spiritual quest of its main character, YNDRD. The students watch YNDRD as he makes his way across his continent on a pilgrimage, and what he finds was one of my first encounters with the idea of finding the truth through the intersection of many perspectives.

It was the kind of book that cracks open your skull at just the right time in your life and changes the way you see the world forever.

Part technical manual and part philosophical exploration, the book has influenced me in ways I haven’t realized until writing this paragraph: stories told as fake non-fiction, technical writing, explorations of the soul taken through technology, epic journeys that end up back at the self.

What I took from it in 1989 was the desire to simulate a world on my Apple II. I didn’t think I’d contact a two-dimensional world, but I was fascinated by the idea of creating a world and defining its rules.

So I worked on a program called 2DWORLD in which square block animals explore a digital savannah, grazing on stationary “plants” or chasing “prey” if they come within a detectable range.

Each animal’s “instinct” was basically this:

IF FOOD is visible, MOVE toward it one square, ELSE move in a random direction. IF FOOD not found after five iterations, DIE.

This was not a visually sophisticated simulation, just a dark green screen with colored blocks twitching after one another on it. But I could experiment with putting in fewer plants or more plants, fewer predators or more predators, and see how long the simulation would sustain itself.

When I visited my sister and her husband over the summer at UF, I spent a lot of time in Marston Science Library looking up the theory behind computer simulations, and I wrote it all up in a paper that I presented with my science fair project.

I got a C (eventually) because, as my non-computer-savvy science teacher put it, “This could be Pac-Man for all I know.” That would have been far more disheartening if I didn’t win the Computers division of the science fair with that project.

What did I learn there?

Experts aren’t always experts.

Even science can be done out of love and joy, one iteration at a time, following the next logical hypothesis until you discover something wondrous.

Fortunately, I have a positive attitude about it.

My Computer History: Commodore 64

April 20, 2021 / Will Ludwigsen

Commodore 64

Released: August 1982 – April 1994(!)

Specs: 64KB RAM, 1.023MHz CPU

“Gee, Will, with access to so many computers and parents who owned a bookstore, you must have been rich!”

No, we weren’t rich. My father ran the bookstore into the ground with his sketchy accounting and customer service (“It can’t be cheaper back in Michigan. They print the price on the fucking cover!”) by 1984 or so, but even at its height, there were only so many Judith Krantz novels and books about snakes we could sell. Soon, my father was working as a furniture mover and security guard, and my mother was working at a doctor’s office and as an EMT.

I was lucky in a few important ways, though:

My parents had very strange financial priorities, often involved with keeping up appearances of our social class. So we’d eat Dinty Moore beef stew with my father’s restored Porsche parked out in the driveway.
My grandparents, much better money managers, must have asked my parents at key birthdays and Christmas what my sister and I wanted.
My family as a whole likes to give dramatic, wish-fulfilling gifts. (Which sucks as adults because we all have most of what we want.)

So it came to be for my twelfth birthday in 1985 that I got a Commodore 64 home computer. I remember my father did a lot of research and asked around to discover that it was a superior product for the price, which was essentially true. It came out of the box with a lot of features that required upgrades to an Apple II.

My father also imposed a rule for the Commodore: no games except ones I wrote myself. That felt draconian at the time, but in retrospect, it sparked me to learn programming in a way that I wouldn’t otherwise.

He eventually got a professional job again (at a mental institution, ironically), and my first black-and-white monitor for the Commodore was almost certainly pilfered from there, because that’s how he rolled.

Before I could work on games, my father was obsessed first and foremost with having me write a program that he could use as an address book.

What he craved was the convenience of:

Sitting down at the computer.
Inserting a tape into the cassette drive and fast-forwarding to a spot we’d written down for the counter.
Typing LOAD “ADDRESSBOOK”,1.
Pressing Play on the tape deck and waiting patiently for the program to load at 55 bytes per second.
Typing RUN.
Entering a person’s name precisely spelled in answer to a prompt.
Waiting briefly for the program to churn through some READ and DATA statements.
Receiving the requested phone number, assuming the person was in the data.

Even as a kid, I thought this was insane, so I suppose this marks my first encounter with unreasonable client demands for software.

It was also my first encounter with development delays and bad project management because he left my mother for another woman before I finished writing the program.

(And thank God, because as funny as I make him sound, he was a dangerous and violent sociopath and he exits the story here.)

In his absence, I got cracking on those games, including a Star Trek ship simulator.

My friends and I would position the coffee table and TV in the living room to be the bridge of the ship, and I’d write a program that could accept commands for navigation and combat. You could enter a heading and a warp factor, and the computer would show you scrolling stars as the ship was underway. At random intervals, Klingons would attack, and it was possible to fight them off with phasers and photon torpedoes after declaring Red Alert.

There are no pictures of this bridge setup, alas, but this was the computer at the time:

It was really a prop for role-playing more than an actual game, and that source code had to be an ungodly mess as I added feature after feature to make it better. A few friends remember my frustration at debugging that resulted in some loosened keys, but then, shit was blowing up on the Enterprise all the time like that.

What I learned most from that Commodore 64 was the power of tinkering and incremental changes based on making something user friendly. It wasn’t necessary to get the exact product you wanted on the first try, though my anxiety disorder didn’t let that part sink in for many more years.

The programs I wrote on the Commodore were all about entertaining people, and that’s a practice I maintain today not only with my fiction but also with my design and technical work. I’m less interested in what I can help people DO than in how I can make them FEEL. The Commodore’s emphasis on audio and graphics made that easy.

And yeah, I still own one (not the original).