Truman, our most reclusive cat, has gone onward tonight to what my grandfather would call “the Church Triumphant,” and I hope we gave him a life that he enjoyed in his own weird way.
On a chilly evening in late December of 2011, Aimee and I were getting into our car after dinner at Panera when we heard a kitten mewing. After some rustling around in the bushes, we found a small black-brown ball of fluff who could fit in one hand.
I’d like to say that we fell in love with that cat immediately and brought him home, but we tried first to find him a different one. We were already flush with cats and we weren’t sure we could take care of yet another one…but eventually we discovered that we could.
The earliest known photo of Truman
He was a skittish little boy, though perhaps not so young: the vet who neutered him told us that his teeth were too developed to be younger than four months. We had no idea what he lived on or where before we found him at Panera. Rats? Lizards? It couldn’t only have been bread.
We called him Truman Cat-pote, continuing our theme of cats named for authors we liked. He seemed to like us more or less in return, though his raging anxiety disorder kept him from curling up on our laps for long. He preferred when we were lying down, and throughout the night, he’d paw through Aimee’s hair or bat either of us on the cheek for attention. He didn’t settle when we’d pet him, pacing back and forth instead.
In that way, Truman was our most Norman-like cat: skittish, rumpled, inconveniently weird, sometimes annoying, but still somehow needy for affection. When he got used to friends who visited us, he’d make an appearance in the living room like a cryptid, and a Truman sighting was always an honor for them.
We managed to get him to the vet maybe twice because he would writhe and fight when we tried to place him in a carrier, clawing at your head like a facehugger from Alien. I feel terrible that we didn’t get him better medical care, but he was impossible to pill or otherwise medicate, and we were terrified that his heart would explode on the way to the doctor.
He seemed content to live in our house and be weird, sometimes leaving a tooth or a clump of fur for rent.
We don’t have many stories about Truman. It wasn’t until we installed cat-calming diffusers in outlets around the house that he began to lounge in the front window or on the couch. Mostly he hung out in the bedroom like a strange stoner roommate, not contributing much but amiably showing up to be social when it suited him.
We had no idea what he wanted from us, so we did the best we could by sitting still and petting him until he dozed off.
This is often what you’d wake up to with Truman lurking around.
For the last few weeks, he’d been eating less and less, and today when we tried to take him to the litter box, he couldn’t quite stand on his back legs. Harlan had taken to sleeping near him as a guardian this week, and we knew this evening that Truman was ready for whatever’s next.
I’m sure my mother is waiting to greet him when he crosses over, though God knows how she’ll catch him. Maybe there’s no anxiety disorder over the Rainbow Bridge.
In his memory, take some time over the next day or so to show some love to a challenging weirdo in your life who doesn’t seem to know what to do with it.
David Lynch’s familyjust announced his passing, a few days after his evacuation from his home during the fires in Los Angeles. I’d be surprised if the two aren’t related.
Like a lot of us stranded in America’s cultural backwaters of the late 1980s, I was introduced to Lynch through his television show Twin Peaks. My friend Norman caught onto him before I did and loaned me fuzzy recordings of the show on videotape. That was the perfect surreal way to enter that world because they required effort to watch—you had to lean close to the television to make out what was going on sometimes, like you were burrowing into another reality.
It’s hard to tell which of the creative powers behind Twin Peaks wrote the lines and actions of the characters that inspired me so much as a high schooler—Mark Frost, Harley Peyton, or Lynch himself—but I know that Lynch broke through the ice of normalcy for them to be more creative than they might have been.
He did that for me too. I was under some pressure to grow up and be more normal when I encountered Lynch, but his loud and courageous oddness helped me slip away from its grasp.
Over the years I sometimes found myself annoyed with his creative choices, many of which seemed chosen to alienate viewers and demonstrate how silly it was of us to fall in love with a story, but I always admired his commitment to pursuing his vision wherever it led.
For years, I wanted to meet him and pitch a story that could salve the open wound he left at the end of the second season of Twin Peaks. Of course, so did half of Generation X. The last thing he’d have wanted from us is a solution or an ending to a mystery.
Lynch was a fellow Boy Scout, though he made it all the way to Eagle. Many of his more annoying fans saw him as a nihilistic edgelord trolling the mundanes, but I suspect that like me, he was a shell-shocked idealist who was hypnotized by the encroachment of darkness.
I think I was just a little more fascinated by what to do about it than he was, which I guess is a gift from the other storytelling spirit animal for my generation, Steven Spielberg.
Thanks to Lynch, I investigated meditation and adopted its practice (though not the form he espoused, Transcendental Meditation). That alone is a wonderful legacy in my life and creative work, and I’m grateful for it.
For a person so committed to following a mystic vision, Lynch was certainly very blue collar about it: you sit down, you see what you see, and you make a mess while making it as real as you can. I always loved his videos from his workshop, chain-smoking and squinting through a window dressed in paint-splattered clothes, providing a weather report.
In those videos, he’d often wish us “blue skies all the way” in our creative work, which is what I wish for him in whatever mystery he’s now investigating.
My favorite theater in the world, Sun-Ray Cinema, has closed after their historic building in the Five Points area was bought out by developers.
I’m told that the theater owners are looking for a new location, but my personal instinct after losing a labor of love like the Sun-Ray would be to retreat somewhere to rest up and mourn the loss. Maybe they’ll come back somewhere else, but I wouldn’t blame them if they decided Jacksonville didn’t deserve it.
(I’m projecting here. Every time I’ve talked to the owners myself they’ve been cheerful, positive people.)
The Sun-Ray was the kind of quirky place that played artsy films alongside the first-run ones. I’ve seen most of the A24 oeuvre there, plus a wide range of oddness like the new mediocre Star Wars movies, What We Do in the Shadows, Fury Road, The Witch, Won’t You Be My Neighbor, A Simple Favor, Hail Satan?,Book Smart, JoJo Rabbit, The Hidden Fortress, and about six of their annual showings of Jaws. (Where the audience would crush a can of Narragansett beer when Quint did.)
Aimee and I attended the second-to-last showing of Jaws there.
Even if the movie wasn’t great, you at least could enjoy the food and alcohol they served on pock-marked wooden tables that stretched along the rows. An employee would skulk up from the darkness to leave your pizza or basket of knick-knack sticks, and I’d whisper “Thanks!” as they skittered away.
It’s sadder when they have the lights up.
They had festivals and special showings with people like John Waters. Over the summers, they’d play movies for kids that had an all-you-could-grab sugary cereal bar. They had great pre-movie announcements, including my favorite with weird puppets talking too loud on cell phones.
One of their pre-movie ads had Stan Lee telling you to keep your feet off the tables.
You had to be a little choosy about what kind of person you’d take to the Sun-Ray. It was dark and sticky and had a lot of layers of chipped paint. They had murals of movie monsters and a precarious balcony that they discouraged people from using. You could hear the movie from the bathrooms on either side of it. Sometimes it smelled weird.
Sometimes they’d let people sit or stand up there.
If you had a friend who wouldn’t get the Sun-Ray vibe, who insisted on corporate safety and blandness, that was a good reason to realize they weren’t your kind of person anyway.
During the Plague Year when they were closed and needed support, I rented the theater to show Lake Mungo to friends.
It was the kind of theater that you’d run when you were fourteen years old after breaking in.
Here I am with Steve and Aimee for the latest Indiana Jones film on my 50th birthday.
I’m not much a part of any community (being scared and skeptical of them), so I regret that I wasn’t part of the Sun-Ray’s a lot more. I went to movies there, loved the atmosphere, and then went off afterward in a very aloof Gen-X sort of way. I wish I’d introduced myself and told them how much I liked it, how welcome I felt even alone in the darkness, but I never felt cool enough.
My neighborhood is being taken over by investors with spreadsheets, people who think that enough data can guarantee that every dollar spent is a dollar quadrupled. They believe that everyone wants high ceilings and bright lights and wi-fi and checklist entertainment, a place to take a selfie to show how fun they are.
Maybe those developers are right.
What I loved about the Sun-Ray, though, was that it was a weird space: a place for enjoying the weird and personifying the weird and being surprised by the weird. It was a place for brief displacement and then…maybe wonder. Maybe disappointment. Who knew?
We’ve come to a terrifying moment when we think that the data we’re gathering about the past and present can guarantee the future. We believe we know exactly how many people we can fire without losing any business. We’ve “perfected” the science of entertainment, measuring out the beats of our blockbuster movies in coffee spoons, taking fewer chances, making fewer mistakes.
We’ve refined the process of going straight from investment to profit without any of the accidents that really pay off in between.
I know when I go to the AMC Theatre that a benevolent corporation will protect me from any experience that’s too upsetting or too transcendent. We all have to return to work on Monday, after all, and it wouldn’t do to be amazed too often.
I hope the Sun-Ray finds a new home. When it does, I’ll be there, ready again for a good weirdening.
If you’ve savored every page in your copy of A Scout is Brave, you may have noticed this dedication near the beginning:
For William Simmons, who was never to my knowledge a Boy Scout but who has exemplified every one of their stated ideals throughout our nearly forty-year friendship…though not perhaps in the ways they’d expect. I appreciate our late-night urban hikes and the honest perspectives you’ve always provided to me. I hereby award you the Iconoclastic Integrity merit badge.
And you may have asked yourself, “Who the fuck is William Simmons?”
[Spoiler alert for people accustomed to reading my too-frequent eulogies: William is alive and well.]
This is William Simmons. (Photo by Dave Lally.)
I’ve been friends with William since 1987, when he came knocking on my door and asking for Norman Amemiya, who’d told him that Dungeons and Dragons was about to take place at my home.
I was relieved to see him, if I’m being honest: Norman, though mentally about fourteen, was a 32-year-old man and my mother was a bit worried that my new gaming group was full of people twenty years older than me. Luckily, William was only four years older.
Together with Norman and a rotating series of guest gamers, William and I met for weekly sessions of Car Wars, Star Frontiers, Star Trek: The Role Playing Game, Toon, Paranoia, Battletech, and (maybe once or twice) D&D. Like Norman, he was very tolerant of my ADHD-fueled, rules-indifferent gonzo gamemastering style.
William was especially found of Conan on the Apple II as well as Eamon.
We also gathered around my Apple II+ as I developed a starship bridge simulator and a food chain science project, not to mention playing a few hundred cracked and pirated games that would grind ominously in my failing disk drive.
Once while he was staying overnight at my house way out of town, our cat gave birth to a few sickly kittens and then fled outside into the darkness. The only light source we had handy was an antique kerosene lantern, which he held aloft amid the orange trees, looking for the cat like Diogenes searching for an honest man.
At most science fiction, fantasy, horror, or gaming conventions we’ve attended since 1987, we’ve taken a late-night walk around whatever downtown area was handy. We chat about books and movies and games, plus my deranged ambitions to write. Once while crossing a drawbridge in Fort Lauderdale, we had to run when it began to rise under our feet.
I’m not doing a good job conveying who William is beyond “erstwhile gaming buddy.”
Like me, William didn’t have the most peaceful childhood. My reaction to uncertainty was to grasp desperately for control of my world, but William’s was a calm and measured scientific detachment. He is the most open-minded person I’ve ever met, willing to understand strange ideas (and people) while weighing all the information he can get. When my first wife called him during our divorce to get him to take her side, he said, “I really don’t have enough information to do that.”
William participating in the Call of Cthulhu scenario that A Scout is Brave was partly based on.
William exemplifies all of the Scout laws that Bud Castillo follows in A Scout is Brave, though he’s sorely tested in his convenience store job each day. William’s ambition these days seems mostly to be peace, which I wholeheartedly understand; he does his job, reads more books than anybody I know, and has walked every furlong of Lord of the Rings Online.
I have three degrees in English literature and writing, yet William is the only person I know who has read the entire works of Shakespeare. He has a habit of doing that, reading an author’s entire oeuvre. He’s a fan of life’s side quests.
Aubrey from A Scout is Brave is a combination of Norman’s alien perspective of the world and William’s calm and considerate one. That character (and that book) wouldn’t exist without them, and I wanted you all to know that.
There are two video games I play through probably once a year: Borderlands 2 and Red Dead Redemption 2. They’re long and complex and rich with lots of experiences, much of it seemingly superfluous.
Always stop to pet the dogs.
When I play a game like that for the first time, I’m always full of anxiety over whether I’ll succeed, whether I’ll “win,” whatever that means. There’s a lot of desperation in my character’s actions, taking shortcuts and completing the required missions however I can with whatever I’ve got.
Now the second playthrough – that’s where things actually get enjoyable. Once I’ve lost that anxiety over whether it’s possible for me to succeed, I can dawdle and do all the side missions and optimize my character with all the best gear and explore all the easter eggs. I can pay attention to all the things I missed the first time, and usually succeed even better.
Also don’t forget to stop for the beautiful waterfalls.
You might see where I’m going with this.
I’ve had a stressful several months, scrabbling to finish the missions any way that I could. The ones coming up may or may not be better.
I hope I can remember to act (and more importantly feel) as though this is the second playthrough.
Act with the confidence that I’ve already won this game in many ways, and even the big setbacks end up being part of that story in the end.
Do all the side missions, gathering skills and experiences.
Optimize my character, fixing what’s not working and leaning into what does.
Explore the world a little more, looking for easter eggs and grace notes left for me by the designers.
Know when to pause, when to shut the game off and do something else before returning re-energized.
That all sounds surprisingly positive for me, I know. Sometimes I have to remind myself of things that are obvious to everyone else.
But really the advice holds for all of us: ALWAYS stop to pet the dogs and cats.
If you think my work is juvenile now, let me tell you…it was much worse when I was in the fourth grade. The year was 1982, and an obscure director named Steven Spielberg was all over my mother’s entertainment magazines posing with a rubber puppet.
At nine years old, I discovered the idea that someone got PAID to entertain people with made up stories, which is something I’d been doing all my life for free like a chump.
Rocking the Garanimal outfit!
(It’s important to mention that due to some mutation of ADHD or anxiety or schizophrenia, my brain was constantly buzzing with all sorts of random shit like during the credits of The Twilight Zone. I was effectively insane, talking or performing almost constantly even when nobody was around. Stories all but shot out of my eyeballs.)
Steven Spielberg showed me that one boy’s mental illness was a grown man’s career, and I started writing stories down in my famously meticulous handwriting.
My first completed story was called “Cats!”, built upon my assumption that the stage musical was simply a bunch of skits about cats doing funny things around the house.
I showed this brilliant work to my fourth-grade teacher Mr. Clark who, perhaps to gain a moment of peace, allowed me to read it aloud to the class. Their reaction was like water on a grease fire, and I began producing other works for their entertainment.
Most of them were sequels to my favorite films and TV shows.
You’ll notice perhaps that they are dialogue heavy with lots of exclamation points, mostly because – like the early primitive storytellers – they were meant to be performed. Some of them are just outlines of ideas that I’d improvise a story around when I was standing in front of the class.
What was their reaction? I remember mostly that they were relieved to be free of schoolwork and would occasionally offer up a few laughs at the funny parts.
Which was fine by me.
I tried my hand at comic book writing, too, though I had some weaknesses as an artist. Ultra-Dummy and the Legion of Stuffed Animals was the flagship production of a “company” started with my friend Garrett Albritton (hence the name W.A.G. for “Will and Garrett”).
Toward the end of my story-performing career in the seventh grade (when it was starting to get me teased instead of applauded), I wrote my first foray into 1963:
(Who’d have thought that 38 years later, my novella A Scout is Brave would also take place in 1963? Have you heard of it? It’s available for pre-order!)
My teacher Mrs. Kessel, who was mystified that I would only do extra credit reading and writing instead of the actual assigned curriculum, gave me an early blurb I could use on my books even now:
Your story was adorable! You are so funny…a future O. Henry or Steinbeck!
I wonder sometimes whether I’d have chosen writing as a vocation if I hadn’t been praised for it by teachers and family. If they’d loved my work with Lego, would I have been an engineer? Or if they told me I was brilliant at explaining things in a way idiots could understand, would I have gone into corporate training and communication?
I think writing is more fundamental to my personality than those other things for three reasons:
I get a thrill out of people’s reactions to it that I don’t get from anything else.
I also get a shiver of joy from capturing something exactly and specifically with language.
I’m willing to keep doing it even when it doesn’t turn out well.
These pencil scrawls on notebook paper are rather embarassing now; they show a lot more enthusiasm than ability. The only thing that came to me naturally about writing was doing it even when my brain was a scramble and I was bouncing off the walls
Maybe that’s the surest sign that you’ve found your life’s work: you keep doing it anyway.
If you don’t know by now that my father was a terrifying and chaotic presence in my family’s lives during his reign, let me offer this brief anecdote:
For years, my father swore that if my mother ever left him, he’d find us wherever we went and kill us. It ended up that my father left my mother for another woman instead, but we were still terrified that he’d come looking for us one day.
One incident that reinforced that threat happened during a hearing for my child support after the divorce. There had been an altercation in another courthouse a few days prior where someone had attacked a judge, so there was a newly-installed metal detector at our courthouse. My mother and I went through to the other side, and we watched as my father walked up to the metal detector, looked it over, and then left.
He preferred to get a contempt of court charge than to walk through that metal detector.
So we all stayed as far from him as possible for sixteen years after the divorce, following his life as best we could as a matter of security. Luckily for us, his criminal activities made his status and location easy to find in the state offender database.
So sixteen years went by, and I grew up in a slow, circuitous fashion, still believing that I should one day confront him as Luke Skywalker did with Darth Vader. I didn’t want to reconcile with him or save his soul…mostly, I wanted to gloat that I’d turned out okay despite his best efforts.
In 2004, I decided it was time. The state database listed his address (back in Arcadia) as a condition of his parole, so I took a day off from work and drove the five hours down to see him (and also some friends who still lived there at the time).
I pulled into the driveway of his mobile home, decorated to disguise that it was a mobile home, and I parked. I walked up to his front door, which was ajar behind a screened door. From inside, I could hear hymns playing loudly on a radio.
I’ll say that again. Hymns.
I knocked a few times and got no answer. On my way back to the car, my shoulders tensed expecting him to shoot me in the back, but he didn’t.
I visited with my friends and then on the way out of town decided to try once more. This time there were no hymns and my knocking was louder, so I heard heavy footsteps coming to the door. I realized that I had no idea what I intended to say or do.
For years, I’d considered decking him or even shooting him, but I wasn’t armed and I’ve never been much of a fighter.
This was a little later on and he didn’t have the cat yet (whom we’d later inherit), but he looked basically like this.
An old man squinted out at me through the screen door. He was thinner than my father had been and his face was bloomed red with broken capillaries from years of drinking.
“Can I help you?”
I didn’t have a line prepared. One good choice might have been, “Hey, go fuck yourself.” Another might have been to say, “Karen and Mother send their regards,” while jabbing my knee into his groin.
I settled for, “Hello. I’m Will.”
He squinted harder and then threw open the door. I braced for a swing, but instead he wrapped his arms around me in a terrifying Klingon bear hug that my arms were too pinned to return, even if I’d wanted to.
He pulled back weeping, which wasn’t something I’d seen him do before. He shook his head and pulled off his hat and rubbed the white stubble on his scalp and then replaced it. He kept doing that, apparently amazed that I was there.
I didn’t take this picture, but this is what he looked like at the time.
We chatted on that porch for about two hours. He had a slight Southern accent which faded away the longer he talked to me. He said a few half-hearted things about Jesus. He told me that his second wife had died of cancer recently and he was by himself, that he was tired of all the rubes and rednecks in town but at least they left him alone, and that he was looking into finding a lawyer to prove he was innocent of the crime he’d been sent to prison for.
“Don’t believe everything you read in the papers about that,” he said.
I did do some gloating, mentioning my fiction publications and graduate school, and—always class-conscious and into cars—he admired my parked Volvo.
He said he couldn’t drive a stick shift anymore because of arthritis, and though it could have been one of his cons, the man standing in front of me looked like every single member of my family including my youngest toddler niece could beat him to the ground.
That’s what I’d come to see: that this figure who’d terrified us for decades was now weakened by his own choices, living a life far worse, far emptier, than any punishment we could have wished on him.
People think that karma is some magical ironic force that sweeps in to serve justice, but the meaning is more about “suffering the logical consequences of your actions.” Karma had indeed come for my father, and it was all self-inflicted.
He was still strange and creepy and bizarrely tone deaf to feelings – “I wish I’d thought to run up my wife’s credit cards before she died because they can’t come to get you for that” – and there wasn’t much sign that he was aware of anything he’d done wrong. He asked about my mother and my sister, and I gave vague answers to protect their security.
He asked if I’d ever gotten to Eagle Scout and was disappointed when I said I didn’t.
By then, it was getting late and I’d gotten what I hadn’t known I’d come for: assurance that justice had come for my father and we’d all far outgrown any threat he could make.
We traded phone numbers and I said goodbye. He waved as I drove away, and years later when we cleaned out that house after he died, I saw that he wrote my name with an exclamation point on that day in his calendar.
I drove home in a weird kind of relieved euphoria. Yeah, he was still a predatory shark in his heart, but he had no teeth.
More importantly, I’d done something I’d always sworn I’d do.
My mother and sister were horrified that I went to see him, and an ebullient blog entry that I wrote about the encounter didn’t help. I unintentionally implied that we’d reconnected for a new beginning when the truth was much closer to discovering that the Soviet missiles in Red Square were just empty metal tubes.
I’d gone to find out that he couldn’t hurt us, and though I knew that now, it wasn’t my place to risk other people on the gamble.
I was his informal parole officer for the rest of his life. For the next several years until he died, we had stilted awkward phone calls every six months or so. He asked computer questions. He tried to sell me his mother’s wedding ring. He talked about lawsuits he wanted to file and encouraged me to go to law school.
He deftly avoided all questions about what he thought about his actions or his crimes. The closest he ever came to admitting his abuse was to say that living in Florida away from the life he’d known in New York had made him anxious and angry: “flapping in the breeze” was his expression for it.
I didn’t see him in person again except on his deathbed from colon cancer, where he asked me how my car and cats were doing and complained about the ambulance ride to the hospice while ignoring my sister standing next to me.
Not the most contemplative man in the world, certainly not one who’d write this much on the twentieth anniversary of something.
I’m not sure what good my reckless visit did. It was handy to know about his doings from a safety perspective, and that thin channel of communication perhaps sated his curiosity enough to prevent him from looking for us.
Maybe I needed to look at him with adult eyes and know I was different than he was. Maybe I needed to know I’d “won,” ignoble as that is. Maybe I wanted to give him the slightest chance to show any growth of consciousness.
You may have heard that I have a book coming out this summer called A Scout is Brave. What? You haven’t? Pre-order it now by clicking the button below!
One of the themes of the book is the disconnect between the model of reality that we place in books and the one we allow or reinforce in the real world. As a kid, I had a hard time understanding why people didn’t take books as seriously as I did, and to me, every book was a handbook.
As a kid with ADHD and anxiety, it was a revelation that there were actual books that could tell you how to live and do things, books that you could go out and make real in the world.
Let me introduce some of them to you.
Model Railroading, published by Lionel Trains in the late forties, was hopelessly obsolete by the early eighties when I read it, but I loved the idea of making my own tiny wholesome, controllable world. I can’t imagine why.
The 1963 Boy Scout Handbook appears in my story, and I had the same problem with it that Bud has: the huge gap between theory and practice, between what we say we believe and how most people behave. I was a kid in the eighties behaving like one from the sixties.
How to Run a Railroad was a book I found in our local library and checked out so many times that my father suggested we steal it when we moved away. It was a great book with kid-plausible ideas for building a model railroad out of random shit in your house.
In 1982, I discovered Steven Spielberg and the idea that some lucky people were actually PAID to make up stories instead of merely annoying others with them. That sparked the idea of becoming a film director, and Filming Works Like This was all we had in our elementary school library on the subject. The technology wasn’t too far off for the early eighties, but I had no access to it and had to settle eventually for…ugh…just writing stories down.
My elementary school library also had a small shelf of books for weirdoes, focused mainly on vampires, missing people, UFOs, Bigfoot, and ghosts.
Daniel Cohen was an author who specialized in telling dubious stories to young people with absolute credulity. I finished each one convinced that yes, there were spirits and aliens among us that nobody wanted to talk about.
So you might say that I started my artistic sensibilities with horror NON-fiction. Or at least fiction couched like it.
Frank Edwards was another crackpot who gathered what we’d call now “Forteana”: the kinds of bizarre happenings chronicled originally by the patron saint of crackpots, Charles Fort. My sister had a few of his books.
These are where I learned about the Marie Celeste, the shifting coffins of the Chase tomb in Barbados, the Bermuda Triangle, frogs dropping from the sky, and the Loch Ness monster.
My experience with more practical handbooks inspired me to imagine ways that we could actually resolve these mysteries, exploring the loch with a submarine, say, or examing the Marie Celeste with a forensic team instead of a bunch of dumbass sailors.
The Hardy Boys’ Detective Handbook was where I got some of those investigative ideas, and like almost every other imaginative kid, I started my own detective agency. I don’t remember solving any actual crimes, which is ironic given how many my father was routinely committing.
I guess there’s a lesson there in how context affects our morality.
One of my long-term investigations involved searching for gnomes. My mother bought me the book at the height of the gnomes fad of the early eighties, prouder of the family’s Scandinavian heritage than the rest of us.
Despite the map inside saying that at best we’d find extremely rare Beach Gnomes in Florida, I still kept searching the woods.
They decided not to show themselves, probably because I wasn’t ready.
Then came the computer handbooks. I started with a Commodore 64 in 1985. My father refused to buy games or even a disk drive for it, asserting that this was for “serious business.” We had a tape drive instead, so I made my own games when my father wasn’t hectoring me to create an automated address book for him.
To find an address in the golden Commodore future, you’d just turn on the computer, insert a tape, fast forward the tape to the program, type LOAD, and wait patiently for the address book to appear. Simple as that!
Next came the gaming books, starting with that red Dungeons and Dragons basic set for which I still have that book. My mother ordered it from their ill-fated bookstore because she’d heard that “gifted kids” played it.
I preferred science fiction, though, and later on I found Star Frontiers at Waldenbooks and then Star Trek from FASA.
And that’s just the non-fiction!
We are all constant compliers (conscious or not) of our own handbooks. I was luckier than some kids to have parents who owned a bookstore (however briefly) and believed in the importance of reading, not to mention a sister who was into weird books like Alive and the ouevre of Frank Edwards, and later friends who enjoyed speculative and imaginative ideas.
I’d be a much different person with different books, and I’m grateful for the ones I got.
Now that it’s too late for Christmas shopping recommendations except for the truly masochistic and insane, let me share some of my entertainment highlights from 2023!
Books
I’m terrible about reading current books, so these aren’t really recent.
I re-read The Count of Monte Cristo (Alexandre Dumas) for the first time in twenty years, and this unabridged edition reminded me of how this was the equivalent of appointment television in its time, full of tangents and asides and cross-purposes to draw out the story into a pleasant weighty significance.
Death Sentence: The Inside Story of the John List Murders (Joe Sharkey) tells the story of one of my “favorite” true crimes. List murdered his wife, mother, and three children in 1971 and bolted on the lam for seventeen years. He was caught in 1989 after an episode of America’s Most Wanted showed an eerie sculpted bust of his age-progressed head. What I find fascinating about his story is that he was an uptight devout Lutheran with obsessive compulsive disorder and a horror of failing to keep up appearances, much like many of my older relatives. He killed his family to “spare them” from poverty, he claimed. The book covers the case well with good detail and insight.
The Elephant in the Brain (Keith Simler) explains a lot of our more annoying human tendencies as artifacts of our evolutionary heritage and desire to be part of a group. I think it’s a key text in understanding how we apply so much of our higher mental powers to rationalizing our baser drives.
TV
This is going to sound a little one-note, but Star Trek had a hell of a year with three fabulous seasons of television.
Picard Season Three may have pulled off the most dizzying reversal in television history from its first two abysmal seasons to a soaring and triumphant third. Showrunner Terry Matalas, a fan himself, finally understood what people wanted all along: 80% things we know and love mixed with 20% new cool shit. It’s a balance that the new Star Wars trilogy completely failed to achieve.
Strange New Worlds Season Two took amazing risks with mostly fabulous results; though I still have mixed feelings about the musical episode, I’m glad they were brave enough to make it. The cast and producers are capturing the variety of the original series with a modern sensibility for continuing consequences, and this was fun to watch every week.
Lower Decks Season Four was still hilarious, but they faced some pretty heavy emotional consequences that demonstrated that this isn’t just a zany cartoon satire. What I like about Lower Decks is that it answers or addresses so many of the things we let pass us by unquestioned in the other iterations of Star Trek, patching holes and adding context with a sense of humor.
Movies
I don’t actually watch a lot of movies anymore, I’m sorry to say. It’s hard to sit still that long.
Indiana Jones and the Dial of Destiny was very good, though of course idiots came out to complain and demonstrate their commitment to the dogma of their childhoods by damning it as fan service. As I age, I’m enjoying stories more where heroes grapple with the longer term consequences of their lives, choosing once again to be heroic even when it costs more than it ever has.
The Menu was a wonderfully dark psychological study, full of surprises that turn out to be fully earned by the characters who get them.
I’m not sure what I’d pick for an even third film. Everything Everywhere All at Once was moving when I saw it, but I don’t remember much of it now and have no desire to watch it again. The Fabelmans should have been right up my alley (a nerdy kid learning to take command of his creativity), but it felt like it was missing a third act. Cocaine Bear was hilarious and had the virtue of delivering exactly what it said. So too did Dungeons and Dragons: Honor Among Thieves.
Looking over this list and thinking back on my year in entertainment, I feel old and unwilling to take risks on weird new things that creators are making (or re-making). I’m falling out of the demographic for profitability.
When they remake Close Encounters of the Third Kind, I’m moving out to the woods away from all human contact.
I’m grateful all the time, believe it or not, for people and pets and inanimate objects. I once kissed an Amtrak train as a little kid to thank it for safely getting us home from Florida, and my mother had to yank me away before it decapitated me.
Many years later, I was driving somewhere with my (eventual ex-) wife, contemplating the universe in my quiet Scandinavian way, when a profound insight sparked across a few neurons.
“You know what I don’t appreciate enough?”
She looked over at me, eyes filled with hope.
“Nestle Nesquik. I’ve been drinking it since I was five years old across multiple states and economic conditions, and it’s always been a comfort to me.”
So Thanksgiving is one of my favorite holidays, an excuse to eat and talk a lot with family and friends, but I don’t always articulate what specifically I’m thankful for because it’s always Thanksgiving in my heart. (Aw!)
Let’s do some articulatin’!
Interpersonal
Of course I’m grateful for the family, friends, colleagues, and inanimate objects that support me every day, no matter how difficult I make it.
We had a great Willcon this year, enjoying some gaming and ribald conversation with old friends and new.
It was wonderful to take a family vacation with my sister, brother-in-law, and nieces to Great Britain for a few weeks this summer, something we’ve done very infrequently over our lives. Even getting COVID couldn’t slow down our good time (or endless walking).
As annoying as it was to spend FIVE WEEKS as a juror in a civil trial, I appreciated the chance to meet people I’d never have encountered in my normal life and see things from their perspectives, however wrong. (I kid, I kid!)
My immediate team at work has never been just a group of coworkers, and not just because I bully them all the time to go out to lunch together at Tony D’s. I decidedly DON’T appreciate the layoff that sent most of them off to better destinies, but I AM very grateful that they continue to influence my life.
We’ve got a pretty good team of cats at home, two older boys and two younger ones, who fill our hearts with love and our lungs with dander. Our famous dog Sylvia, mayor of the neighborhood, will now occasionally listen to reason between trying to tear pizza out of our hands and barking during work meetings.
Aimee, of course, remains awesome, very tolerant of my quirks and difficulties.
Professional
Though I miss my lost team members at my day job, I’m grateful my company decided to keep me around for their own mysterious reasons. They’ve always been tolerant and often even bemused by the weirdness I bring to my work.
There’s something to be said after a layoff for how it sure clarifies who you can trust to help get things done, including my boss.
Writing
I actually finished a short story this year after a time we’re politely calling “fallow.” It’s made it to a second round of consideration at one of my favorite magazines, so maybe you’ll read it one of these days. (People liked it when I read it at Willcon, at least politely.)
The well-known publisher that was considering my novella A Scout is Brave decided to pass after a whirlwind 850 days, which is either a compliment that it was so hard to decide or an insult that it wasn’t easier to decide.
And the reason I’m grateful for that? A Scout is Brave has found its real home at Lethe Press and will be appearing next June. Don’t worry: I won’t let you forget that in the coming months.
It was in Publishers Marketplace, so it has to be real.
Emotional
This has been a very strange year, and I couldn’t have done it without the fistful of medications that my doctor prescribed to keep me alive during it.
In a similar vein, I’m glad to have reached an age where I know enough about my strengths and weaknesses to work WITH them instead of against them. You call it depression, I call it introspection! You call it a rude disregard for the feelings of others, I call it a child-like honesty! You call it ADHD, I call it a need for novelty and challenge!
Inanimate Objects
I’m glad I figured out (with no help from three visits to the dealership) what the rattling noise under my car was before I just drove it off a bridge.
I’m enjoying a board game these days called HeroQuest which is like Dungeons and Dragons for impatient people fearful of commitment.
I even persuaded the family to try HQ on our early Thanksgiving.
Red Dead Redemption 1 & 2 have been boon companions for the last few months. I wish I could quit you!
I’m also thankful for the new (and very expensive) pipe that allows my bodily wastes to go out to Jacksonville’s sewer system instead of just kind of seeping under my lawn.
..and Finally…
I’m grateful for you, supporting my intense desire to capture the world in words!
"This short novel manages to pack into its 150 pages Bradbury-esque whimsy and imagination, the melancholia of memoir, the spirit of weird pulp adventure, and the bite of contemporary angst and satire." - Paul Tremblay
"Evocative tales of alternate realities steeped in the ethos of Shirley Jackson and Ray Bradbury." - Kirkus Reviews
"Exquisite craftsmanship makes this a timeless classic for those seeking asylum from formulaic prose." - Publishers Weekly, starred review